Crystal Bridges Museum of American Art (1)

/

There is a lot to see at Crystal Bridges Museum of American Art in Bentonville, Arkansas. My daughter had visited previously and had suggested it as a great start to our ‘end of summer’ road trip. The art is from various time periods often with links to American history: “We the People” with shoe strings, some favorite artists (Audubon, Chihuly, O’Keeffe, Norman Rockwell’s Rosie the Riveter), a dandelion made in metal originally made for a hotel, the red tinted lens looking out to a water feature, a river in silver on an otherwise blank wall…so much to see…these were just a few of my favorites.

One of the most thought-provoking pieces was a picture of the border wall….as a scar on the landscape. This stretch was a natural area not so long ago.

There were quite a few pieces from Yayoi Kusama (Japanese artist). The infinity room is a dark mirrored space where two people enter at a time (controlled at the door where there is almost always a short line) filled with polka dot orbs lit from within. The minder allows each couple 2 minutes in the space.

Outside there are flower sculptures with polka dots done by the same artist.

There is also a water feature that is partially covered with mirrored orbs made by Kusama …mostly in one group but some seemed to have escaped into the nearby reeds.

More tomorrow about the gardens and art outside the buildings.

J. Walter Fewkes eBooks

/

I browsed the books by Jesse Walter Fewkes available on Internet Archive recently. His work in the late 1800s - early 1900s is an early record of the archeology and anthropology in the American Southwest. He was one of the first to advocate for government preservation of the ancient sites. I’ve chosen three of his books to feature in this post.

Designs on Prehistoric Hopi Pottery (1919) – When I browse books like this, I am always gleaning ideas for Zentangle tiles. This one also brought back memories of participating in Camp Fire Girls when I was growing up; they included native symbols and geometric designs as part of the program which I enjoyed; it made the arts/crafts were appealing someone like me that was disappointed in any attempts at realistic drawing.

Hopi Katcinas Drawn by Native Artists (1904) – I wonder if Fewkes was one of the first to encourage these artists to document their own culture…emphasizing the aspects that were most important to them rather than using other artists from outside the culture or photographs that might be realistic but subtly emphasizing the aspects important from their own cultural perspective.

Tusayan Katcinas and Snake Ceremonies (1897) – The close of the katcina mask shows how elaborate they could be.

The views of the Altar of the Antelope Priests in 3 different locations were interesting. It’s an opportunity to see  similarities and differences…wondering if it was difference in the progress of the ceremony or variance due to location that caused the altars to look different. Are the parts that are the same the most important?

Two Books with William Russell Flint Illustrations

/

The week’s pick from my recently browsed books on Internet Archive are two written by W.S. Gilbert and illustrated by William Russell Flint. The Scottish artist was known for his watercolors of women….and the illustrations from these books offer some examples of his work.

Princess Ida; or, Castle adamant (1912)

 The artist was long lived (1880-1969) so many books with his illustrations are still copyrighted. I wonder how (or if) his depictions of women changed over the years; certainly fashions changed a lot over the 1900s and the role of women changed with two world wars, more access to education, and the roles of women in industry/business.